Burlison & Grylls (1868-1953)
The firm of Burlison and Grylls was founded in 1868 at the instigation of the architects G. F. Bodley and Thomas Garner. Both John Burlison (1843-91) and Thomas Grylls (1845-1913) had trained in the studios of Clayton & Bell, and by the 1890s Burlison & Grylls were among the most successful stained glass firms in England. Thomas Grylls' son, Thomas Henry Grylls (1873-1953),was a founding Fellow of the British Society of Master Glass Painters, and oversaw the survival of the firm into the post-war period. The firm closed after his death.
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2 3 4 | The Crucifixion with the Virgin Mary, St John, St Michael and St Peter restorer: Burlison & Grylls 1546 Church of St Mary, Cilcain, Flintshire east wall of the chancel
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| Virgin and Child and the Annunciation firm/studio: Burlison & Grylls about 1871 Church of St Mary, Nercwys, Flintshire west wall of the north aisle
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| St Michael Slaying a Red Dragon firm/studio: Burlison & Grylls about 1878 Church of St Curig, Llangurig, Powys
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| Virgin and Child with Local Historical Characters firm/studio: Burlison & Grylls 1878 Church of St Curig, Llangurig, Powys north wall of the north aisle
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| St Michael with the Seven Acts of Mercy firm/studio: Burlison & Grylls Church of St Curig, Llangurig, Powys
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| St Elidan and St Maurice firm/studio: Burlison & Grylls Church of St Curig, Llangurig, Powys
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| St Dunawd with Heraldry firm/studio: Burlison & Grylls 1879 Church of St Curig, Llangurig, Powys
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| St David with Heraldry firm/studio: Burlison & Grylls 1880 Church of St Curig, Llangurig, Powys west wall of the tower
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| Ascension with Christ as Sower and Reaper firm/studio: Burlison & Grylls 1881 Church of St John, Porthmadog, Gwynedd east wall of the chancel (window number: I)
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| The Crucifixion with the Adoration of the Magi firm/studio: Burlison & Grylls restorer: Burlison & Grylls 1883, with glass from about 1483-5 and 1500 Church of St Mary, Nercwys, Flintshire east wall of the chancel
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2 3 4 Further readingMichael Hall, George Frederick Bodley and the Later Gothic Revival in Britain and America (New Haven and London: Yale University Press, 2014), pp. 157–60, 235–6 and further references.
Joyce Little, Stained Glass Marks and Monograms (London: National Association of Decorative and Fine Art Societies, 2002), p. 20.
Martin Harrison, Victorian Stained Glass (London: 1980), pp. 43, 60, 76 and further references.
ReferencesWilliam Waters, Angels & Icons: Pre-Raphaelite Stained Glass 1850–1870 (Abbots Morton: Serapim Press, 2012), p. 103.
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